Theatre historians used to claim that the plays from the Golden Age were too traditional and too concerned with a narrow code of honor to appeal to a wide audience, but recent scholarship has proven that the plays are as exciting, challenging, and relevant as the works of most English and French playwrights of the time period. In fact, the plots for many seventeenth-century English and French plays were taken from Spanish drama.
The most famous plays of the period are the philosophical drama Life Is a Dream by Calderón, the historical play Fuenteovejuna by Lope de Vega, and The Trickster of Seville (about the legendary lover, Don Juan) by Tirso de Molina. There are also great comedies, religious dramas, farces, and tragedies by these and other playwrights. Comedies by female playwrights (Sor Juana Inés de la Cruz, Ana Caro, María de Zayas, and Angela de Azevedo) have recently been discovered and translated, as well.
The three major forms of Golden Age theatre are the comedia, the auto sacramental, and the entremés. Autos sacramentales are one-act religious allegories, and entremeses are one-act farces originally performed between the acts of a full-length comedia. Comedias are three-act dramas written in verse, which mix comic and serious elements in complex plots that often emphasize intrigue, disguises, music, and swordplay.